
plate no. 8342
George Stubbs, 1775
Recreating this portrait will help students develop skills in portraiture, including capturing likeness, rendering skin tones, and understanding light and shadow on the face. It also provides practice in painting clothing and hair.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head, shoulders, and clothing.
Block in the background with a dark, neutral tone.
Establish the main light and shadow areas on the face and clothing using thin washes.
Begin layering and blending the skin tones, paying close attention to subtle color variations.
Define the features of the face, such as the eyes, nose, and mouth, with careful detail.
Paint the wig, focusing on the texture and form of the curls.
Develop the details of the clothing, including the buttons and folds.
Refine the overall painting, adjusting values and adding highlights as needed.
color palette
primary · titanium white · ivory black · burnt umber · cadmium red
secondary · yellow ochre · ultramarine blue
Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. The dark clothing is created by blending black, umber, and a small amount of blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A smooth canvas surface is recommended for easier blending.
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