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home·artworks·Portrait of René, Cécile and Louise Franchomme
Portrait of René, Cécile and Louise Franchomme by Ary Scheffer

plate no. 3074

Portrait of René, Cécile and Louise Franchomme

Ary Scheffer, 1850

oil, canvasRomanticismportraitfiguresportraitchildrenmusical instrumentclothinghair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations. It also provides practice in rendering fabric and creating a sense of depth through layering.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figures and the instrument, paying attention to their relative positions.

  2. step 02

    Establish the background with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main areas of color for the skin tones, clothing, and instrument, focusing on the overall values.

  4. step 04

    Begin layering and blending the skin tones, using subtle variations of color to create form and dimension.

  5. step 05

    Refine the details of the faces, including the eyes, nose, and mouth, paying close attention to the light and shadow.

  6. step 06

    Develop the details of the clothing, adding folds and wrinkles to create a sense of realism.

  7. step 07

    Paint the musical instrument, focusing on the details of the wood grain and the shape of the scroll.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · titanium white · burnt umber · raw sienna · cadmium red light

secondary · ultramarine blue · yellow ochre · ivory black

Achieve skin tones by mixing titanium white, cadmium red light, yellow ochre, and a touch of burnt umber. Use ultramarine blue and ivory black to create cool shadows. Mix burnt umber and raw sienna for the background and instrument.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·layering

common pitfalls

  • →Incorrect proportions of the figures
  • →Over-blending the skin tones, resulting in a flat appearance
  • →Ignoring the subtle variations in color
  • →Getting the values wrong, leading to a lack of depth

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red light oil paint
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a high-quality canvas and oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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