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home·artworks·Portrait of R. Ignaz and Johanna Bischof
Portrait of R. Ignaz and Johanna Bischof by Friedrich von Amerling

plate no. 3969

Portrait of R. Ignaz and Johanna Bischof

Friedrich von Amerling, 1836

oil, canvasRomanticismportraitportraitfiguresinteriorbookshelfdraperytable
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding composition and creating depth in an interior scene.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of paint.

  3. step 03

    Develop the background, starting with the bookshelf and drapery, paying attention to the subtle variations in tone.

  4. step 04

    Focus on the figures, building up the skin tones with layers of glazing and scumbling.

  5. step 05

    Refine the details of the clothing and accessories, such as the collar, jacket, and jewelry.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Pay close attention to the facial features and expressions to capture the likeness of the subjects.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · ivory black · titanium white · raw umber

secondary · payne's gray · yellow ochre

Mix various shades of gray by combining ivory black and titanium white. Use raw umber to add warmth and depth to the shadows. A touch of yellow ochre can be added to the skin tones for a subtle glow.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the skin tones and losing the subtle variations.
  • →Failing to create a sense of depth in the background.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·payne's gray oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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