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home·artworks·Portrait of Queen Anna Jagiellon in a widow costume
Portrait of Queen Anna Jagiellon in a widow costume by Martin Kober

plate no. 5407

Portrait of Queen Anna Jagiellon in a widow costume

Martin Kober

oilMannerism (Late Renaissance)portraitportraitfigureveilcurtainjewelrybook
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in painting drapery and textures, such as the veil and the gold embroidery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin refining the facial features, paying close attention to light and shadow.

  4. step 04

    Develop the drapery, focusing on the folds and highlights of the veil.

  5. step 05

    Paint the details of the jewelry, using small brushes for precision.

  6. step 06

    Add the book and hand, refining the details.

  7. step 07

    Work on the background and curtain, adding subtle variations in color and texture.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · titanium white · raw umber · yellow ochre

secondary · gold · burnt sienna · viridian

Achieve skin tones by mixing white, yellow ochre, and a touch of red or burnt sienna. Use ivory black and raw umber for the dark background, adding small amounts of other colors for subtle variations.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and dimension.
  • →Making the skin tones look flat or unnatural.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, titanium white, raw umber, yellow ochre, burnt sienna, gold)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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