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home·artworks·Portrait of Princess Zinaida Yusupova
Portrait of Princess Zinaida Yusupova by Konstantin Makovsky

plate no. 7462

Portrait of Princess Zinaida Yusupova

Konstantin Makovsky, 1900

oilRomanticismportraitportraitfiguredressjewelryveilhistorical
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in layering and glazing techniques to achieve subtle color variations and luminosity.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of burnt umber.

  3. step 03

    Block in the local colors of the skin, dress, and background using broad strokes.

  4. step 04

    Begin refining the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the textures of the dress and veil using layering and scumbling techniques.

  6. step 06

    Add details to the jewelry and headdress, using small brushes and highlights.

  7. step 07

    Glaze over the painting with thin layers of color to unify the composition and enhance the luminosity.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt sienna · ivory black

secondary · cadmium red · ultramarine blue · raw umber

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red. Create the gold fabric by layering yellow ochre and burnt sienna, highlighting with titanium white. Use ultramarine blue and ivory black for shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·layering
  • ·blending

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Making the colors too saturated or muddy.
  • →Failing to capture the subtle nuances of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·assorted round and flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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oil painting for beginners →how to learn by studying the masters →
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