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home·artworks·Portrait of Prince Filippo di Medici
Portrait of Prince Filippo di Medici by Alessandro Allori

plate no. 0167

Portrait of Prince Filippo di Medici

Alessandro Allori, 1582

oilMannerism (Late Renaissance)portraitportraitfigurechildclothingruffhistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering skin tones. It also provides practice in painting intricate details like the ruff and clothing.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and ruff, paying attention to proportions.

  2. step 02

    Establish the background color with a thin wash of muted brown.

  3. step 03

    Block in the main areas of the face with light and shadow, focusing on the planes of the face.

  4. step 04

    Begin refining the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Start building up the layers of the clothing, focusing on the folds and details.

  6. step 06

    Carefully paint the ruff, using small brushes to capture the intricate lace details.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the details and make any necessary adjustments.

color palette

primary · titanium white · raw umber · burnt sienna · yellow ochre

secondary · cadmium red light · ivory black

Mix skin tones by blending white, yellow ochre, burnt sienna, and a touch of red. Use raw umber and black to create shadows. Muted browns are achieved by mixing umber, sienna, and black.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering
  • ·detail work

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Making the skin tones too flat or lifeless.
  • →Failing to capture the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (small round, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·soft cloth

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for detailed rendering.

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oil painting for beginners →how to learn by studying the masters →
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