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home·artworks·Portrait of Prince Alexander S. Dolgorukov
Portrait of Prince Alexander S. Dolgorukov by Vasily Tropinin

plate no. 7887

Portrait of Prince Alexander S. Dolgorukov

Vasily Tropinin

oilRomanticismportraitfigureportraitclothingcolumntablepapers
some experience helpful

This painting provides an opportunity to practice portraiture, including capturing likeness and rendering realistic skin tones. Students can also develop skills in depicting fabric textures and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of the figure.

  2. step 02

    Block in the main shapes and colors of the background, clothing, and skin tones.

  3. step 03

    Begin refining the facial features, focusing on accurate placement and subtle shading.

  4. step 04

    Develop the details of the clothing, including the fur collar, shirt, and jacket, using layering and blending techniques.

  5. step 05

    Add details to the hands, cigar, and papers on the table.

  6. step 06

    Refine the background and add highlights and shadows to create depth.

  7. step 07

    Pay attention to the light source and how it affects the colors and values in the painting.

  8. step 08

    Add final details and adjustments to complete the painting.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · yellow ochre · cadmium red light · viridian

Mix skin tones by blending white, burnt umber, raw sienna, and a touch of red. Achieve the green of the jacket by mixing black, yellow ochre, and a small amount of viridian. Use white and ivory black to create the highlights and shadows.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·glazing
  • ·scumbling

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the subtle color variations in the clothing.
  • →Ignoring the light source and its effect on the overall painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium (Liquin)

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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