apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Pope Pius V
Portrait of Pope Pius V by Bartolomeo Passerotti

plate no. 1069

Portrait of Pope Pius V

Bartolomeo Passerotti, 1566

canvas, oilMannerism (Late Renaissance)portraitportraitfigurerobechairbookreligious figure
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic fabrics and textures. It also provides practice in creating depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main shapes and proportions of the figure and chair.

  2. step 02

    Block in the background with a dark, muted green.

  3. step 03

    Establish the basic values of the face, robe, and chair using thin washes of color.

  4. step 04

    Develop the details of the face, paying close attention to the subtle shifts in value and color.

  5. step 05

    Build up the layers of the robe, creating depth and dimension through careful blending and shading.

  6. step 06

    Add the details of the chair, including the gold trim and tassels.

  7. step 07

    Paint the book with attention to the details of the cover.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a cohesive and balanced image.

color palette

primary · crimson red · ivory white · raw umber

secondary · gold ochre · viridian green · black

Achieve the red robe's depth by layering crimson with touches of burnt umber and black. Mix ivory with small amounts of raw umber and yellow ochre for the white fabrics. The background is a mix of viridian green, raw umber, and black.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and dimension.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (crimson red, ivory white, raw umber, gold ochre, viridian green, black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. A medium can be used to speed up drying time and improve blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti