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home·artworks·Portrait of Philipp II of Spain
Portrait of Philipp II of Spain by Sofonisba Anguissola

plate no. 0804

Portrait of Philipp II of Spain

Sofonisba Anguissola, 1570

oilMannerism (Late Renaissance)portraitportraitfiguremanclothinghatlacerosary
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding subtle value shifts in skin tones and fabric folds. Students will also learn to render intricate details like lace and jewelry.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying close attention to the head and shoulders.

  2. step 02

    Establish the background color with a mid-tone gray or brown.

  3. step 03

    Block in the main areas of color: skin tones, clothing, hat, and lace.

  4. step 04

    Begin to refine the skin tones, using subtle value changes to create form and dimension.

  5. step 05

    Work on the clothing, focusing on the folds and shadows to create a sense of depth.

  6. step 06

    Add details to the hat, lace collar, and cuffs, using fine brushes to capture the intricate patterns.

  7. step 07

    Paint the rosary and pendant, paying attention to the highlights and shadows.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium yellow light · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, and a touch of burnt sienna. Black is modified with raw umber and a hint of blue to create depth. Lace is rendered with thin washes of white over the background color.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·scumbling
  • ·rendering of fabric

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle value changes in the clothing.
  • →Making the lace look flat and unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will make it easier to blend the skin tones.

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