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home·artworks·Portrait of Perugino
Portrait of Perugino by Raphael

plate no. 8562

Portrait of Perugino

Raphael, 1506

temperaHigh Renaissanceportraitportraitfigurelandscapewindowclothingman
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding atmospheric perspective in the background landscape.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the window.

  2. step 02

    Establish the background landscape with light washes, paying attention to atmospheric perspective.

  3. step 03

    Block in the main areas of color for the figure: skin tones, clothing, and hair.

  4. step 04

    Begin layering and blending colors to create smooth transitions in the skin tones.

  5. step 05

    Add details to the face, focusing on the eyes, nose, and mouth to capture the likeness.

  6. step 06

    Refine the clothing with subtle variations in color and value to create depth and texture.

  7. step 07

    Add highlights and shadows to the hands and jewelry.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the colors and values are balanced.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · ultramarine blue · burnt sienna · cadmium red light

Mix skin tones by blending yellow ochre, burnt sienna, and titanium white, adding small amounts of cadmium red for warmth. Achieve the dark clothing tones by mixing ivory black and raw umber, and add ultramarine blue for depth.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value that create depth and form.
  • →Neglecting the background landscape, resulting in a flat or unconvincing scene.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint

Use high-quality oil paints for best results. Consider using a medium to improve blending and drying time.

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