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home·artworks·Portrait of Paule Gobillard
Portrait of Paule Gobillard by Berthe Morisot

plate no. 5404

Portrait of Paule Gobillard

Berthe Morisot, 1884

oil, canvasImpressionismportraitportraitwomanhatgardenfigurefoliage
some experience helpful

Recreating this painting will help students develop skills in loose, expressive brushwork and capturing light and shadow with color variations. It also provides practice in simplifying complex forms and creating a sense of depth with layering.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, hat, and background.

  2. step 02

    Block in the main areas of color using thin washes, focusing on the overall value structure.

  3. step 03

    Begin layering thicker paint, using short, broken brushstrokes to define the forms and capture the light.

  4. step 04

    Pay attention to the color variations within each area, mixing subtle shifts in hue and value.

  5. step 05

    Develop the details of the face and hat, using smaller brushes and more precise strokes.

  6. step 06

    Refine the background foliage with loose, gestural brushwork, creating a sense of depth and atmosphere.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the figure.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making final adjustments as needed.

color palette

primary · ultramarine blue · yellow ochre · titanium white · alizarin crimson

secondary · viridian green · raw umber

Achieve the purples by mixing ultramarine blue and alizarin crimson. Greens are created by mixing yellow ochre and ultramarine blue or viridian. Use white to lighten values and create highlights.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·wet-on-wet blending
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushwork.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the subtle color variations in the light and shadow.
  • →Getting the proportions of the figure wrong in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·varnish

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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