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home·artworks·Portrait of Pasqua Maria
Portrait of Pasqua Maria by Ernest Hébert

plate no. 8200

Portrait of Pasqua Maria

Ernest Hébert

oil, canvasRomanticismportraitfigureportraitclothingapronheadscarfchild
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and subtle skin tones, as well as understanding how to create depth and form through careful value control and blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic figure proportions and pose on the canvas, paying attention to the placement of the head, torso, and limbs.

  2. step 02

    Block in the main areas of color, such as the skin tones, clothing, and background, using thin washes of paint.

  3. step 03

    Begin to refine the facial features, focusing on capturing the likeness and expression of the subject.

  4. step 04

    Develop the details of the clothing, including the folds, textures, and patterns of the fabric.

  5. step 05

    Work on the background, creating depth and atmosphere through subtle variations in color and value.

  6. step 06

    Add highlights and shadows to create form and dimension throughout the painting.

  7. step 07

    Refine the edges and details, paying attention to the overall harmony and balance of the composition.

  8. step 08

    Add final glazes to unify the colors and create a sense of depth.

color palette

primary · ivory black · titanium white · burnt umber · cadmium red light

secondary · ultramarine blue · yellow ochre · raw sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of burnt umber. Use ultramarine blue and burnt umber to create the dark background and shadows. Mix white with a touch of ultramarine blue for the headscarf.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·value control
  • ·scumbling

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of the figure
  • →Muddying the colors by over-mixing
  • →Ignoring the importance of value contrast

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can be helpful.

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