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home·artworks·Portrait of Đorđe Nikolajević
Portrait of Đorđe Nikolajević by Giuseppe Tominz

plate no. 4257

Portrait of Đorđe Nikolajević

Giuseppe Tominz, 1850

oilRomanticismportraitportraitfiguremanbeardclothingmedals
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as blending and layering to create smooth transitions and realistic skin tones.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, focusing on the head, shoulders, and major clothing elements.

  2. step 02

    Block in the background with a thin layer of burnt umber and raw sienna, establishing the overall tone and creating a sense of depth.

  3. step 03

    Establish the main value ranges on the face, using a limited palette of earth tones and white to create highlights and shadows.

  4. step 04

    Begin layering and blending the skin tones, gradually refining the details of the face, including the eyes, nose, and mouth.

  5. step 05

    Paint the beard, using short, broken brushstrokes to create texture and dimension.

  6. step 06

    Block in the clothing with broad strokes, paying attention to the folds and drapery.

  7. step 07

    Add the red sash and collar, carefully blending the colors to create smooth transitions and subtle highlights.

  8. step 08

    Paint the medals, focusing on the details of the design and the way light reflects off the metal.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve skin tones by mixing burnt umber, raw sienna, and white, with small amounts of red and blue for subtle variations. Darken shadows with ivory black and burnt umber. Mix red and yellow ochre for the red sash.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value studies
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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