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home·artworks·Portrait of Nicolas Perrenot of Granvelle
Portrait of Nicolas Perrenot of Granvelle by Titian

plate no. 3629

Portrait of Nicolas Perrenot of Granvelle

Titian, 1548

oil, woodHigh Renaissanceportraitportraitmale figurebeardclothingchainhand
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic textures. It also provides practice in creating subtle value gradations to model forms and create depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a neutral gray or brown.

  2. step 02

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  3. step 03

    Block in the main areas of color, starting with the darkest values of the clothing and background.

  4. step 04

    Begin to model the face, paying close attention to the light and shadow patterns to create a sense of volume.

  5. step 05

    Develop the details of the beard, using small brushstrokes to create texture and individual hairs.

  6. step 06

    Refine the clothing, adding subtle variations in color and value to suggest the texture of the fabric.

  7. step 07

    Add the chain and any other accessories, paying attention to their metallic sheen.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced.

color palette

primary · ivory black · burnt umber · raw sienna

secondary · titanium white · cadmium red light · yellow ochre

Achieve the dark, rich tones of the clothing by mixing ivory black and burnt umber. Use small amounts of cadmium red and yellow ochre to warm up the shadows and create subtle variations in color. Mix white with small amounts of yellow ochre and cadmium red for the skin tones.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall form.
  • →Using colors that are too saturated or bright.
  • →Not paying enough attention to the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0, 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the paint to adhere to.

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oil painting for beginners →how to learn by studying the masters →
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