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home·artworks·Portrait of Niccolò Ardinghelli
Portrait of Niccolò Ardinghelli by Jacopo Pontormo

plate no. 2554

Portrait of Niccolò Ardinghelli

Jacopo Pontormo, 1542

oil, woodMannerism (Late Renaissance)portraitfigureportraitbeardbookclothingarchitecture
some experience helpful

Recreating this painting would help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as practicing subtle blending techniques to create realistic skin tones and fabric folds. It also offers practice in rendering textures like hair and beard.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the head, shoulders, and hand holding the book.

  2. step 02

    Establish the background with a thin wash of dark, muted colors, creating a sense of depth.

  3. step 03

    Block in the main areas of color for the face, beard, clothing, and book, focusing on the overall value structure.

  4. step 04

    Begin layering and blending colors to refine the skin tones, adding highlights and shadows to create form.

  5. step 05

    Work on the beard, using small brushstrokes to suggest individual hairs and varying the color to create depth and texture.

  6. step 06

    Develop the folds and drapery of the clothing, paying attention to how light and shadow define the form.

  7. step 07

    Add details to the book and hands, refining the shapes and adding subtle highlights.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced and harmonious.

color palette

primary · ivory black · ultramarine blue · raw umber · burnt sienna

secondary · cadmium red light · yellow ochre · titanium white

Mix various shades of blue and black for the clothing. Use burnt sienna, raw umber, and white for skin tones, adding red for warmth. Mix yellow ochre and burnt sienna for the book.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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