apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of N. Zabela-Vrubel on the Edge of a Birch Grove
Portrait of N. Zabela-Vrubel on the Edge of a Birch Grove by Mikhail Vrubel

plate no. 3491

Portrait of N. Zabela-Vrubel on the Edge of a Birch Grove

Mikhail Vrubel, 1904

charcoal, pastel, watercolor, paperArt Nouveau (Modern)portraitportraitwomanbirch treesforesthatflowers
some experience helpful

Recreating this painting will help students develop skills in layering different media and creating atmospheric perspective. It also provides practice in capturing a likeness with expressive lines and subtle color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the woman's figure, the hat, and the overall composition of the birch trees.

  2. step 02

    Establish the background by loosely applying watercolor washes to suggest the forest and sky.

  3. step 03

    Use charcoal to define the birch tree trunks, paying attention to their verticality and spacing.

  4. step 04

    Add pastel to the background to create depth and atmosphere, blending colors softly.

  5. step 05

    Develop the woman's face and figure with charcoal, focusing on proportions and subtle shading.

  6. step 06

    Use pastel to add color to the woman's hat and dress, blending to create soft transitions.

  7. step 07

    Add details to the flowers with pastel and charcoal, capturing their texture and form.

  8. step 08

    Review the overall composition and make any necessary adjustments to balance the elements.

color palette

primary · white · gray · pink · green

secondary · brown · blue · purple

Mix grays by combining white and black charcoal. Achieve pinks by blending white and red pastel. Create subtle greens by mixing blue and yellow watercolor.

techniques

  • ·charcoal sketching
  • ·watercolor washes
  • ·pastel blending
  • ·layering media
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Creating harsh lines instead of soft transitions.
  • →Failing to establish a clear focal point.
  • →Ignoring the atmospheric perspective and flattening the background.

materials

surface · Toned paper or watercolor paper

required

  • ·Charcoal pencils (soft, medium, hard)
  • ·Pastel sticks (various shades of pink, green, gray, brown)
  • ·Watercolor paints (blue, yellow, white)
  • ·Watercolor brushes (various sizes)
  • ·Paper (toned or watercolor paper)
  • ·Kneaded eraser
  • ·Blending stumps or tortillons

optional

  • ·Fixative spray
  • ·Palette knife
  • ·Ruler

Choose a paper with a slightly textured surface to better hold the charcoal and pastel. Toned paper can help to establish a mid-tone value.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to draw →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois