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home·artworks·Portrait of N.F.S. Grundtvig
Portrait of N.F.S. Grundtvig by Wilhelm Marstrand

plate no. 3142

Portrait of N.F.S. Grundtvig

Wilhelm Marstrand, 1862

oil, canvasRomanticismportraitportraitfigurebookstablebeardchair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones and textures. It also provides practice in creating depth and atmosphere using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figure and the main objects.

  2. step 02

    Establish the overall value structure by blocking in the darks and lights with thin washes of color.

  3. step 03

    Begin refining the face, paying close attention to the subtle variations in skin tone and the play of light and shadow.

  4. step 04

    Develop the beard, using small, broken brushstrokes to create texture and volume.

  5. step 05

    Paint the clothing and background, gradually building up layers of color and detail.

  6. step 06

    Add details to the books, papers, and other objects on the table, focusing on their form and texture.

  7. step 07

    Refine the edges and details throughout the painting, ensuring that everything is in harmony.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ivory black · raw umber · titanium white · burnt sienna

secondary · cadmium red light · yellow ochre

Achieve skin tones by mixing white, burnt sienna, and a touch of red. Use ivory black and raw umber for the dark areas, lightening with white as needed. Mix yellow ochre and white for highlights.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering textures

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Not paying enough attention to the proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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