apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of N. A. Selivanovsky
Portrait of N. A. Selivanovsky by Vasily Tropinin

plate no. 7757

Portrait of N. A. Selivanovsky

Vasily Tropinin

oil, canvasRomanticismportraitportraitfiguremanlandscapeclothingmachine
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding how to create depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main shapes and values using thin washes of color, starting with the background.

  3. step 03

    Develop the skin tones by layering and blending colors, paying attention to highlights and shadows.

  4. step 04

    Define the features of the face, focusing on accurate placement and proportions.

  5. step 05

    Paint the clothing, using darker values to create depth and form.

  6. step 06

    Add details to the background, including the landscape and machinery.

  7. step 07

    Refine the highlights and shadows throughout the painting to create a sense of realism.

  8. step 08

    Add final details and adjust colors as needed.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red · yellow ochre

Mix skin tones using white, burnt sienna, and a touch of red and yellow ochre. Darken colors with raw umber or ivory black. Use thin washes of color to build up layers.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·value studies
  • ·chiaroscuro

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to create sufficient contrast between light and shadow.
  • →Ignoring the subtle color variations in the skin and clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke