
plate no. 1904
Théodore Géricault, 1820
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using value to create form. It also provides practice in watercolor techniques like layering and blending.
technical profile
approach — 8 steps
Create a light pencil sketch outlining the basic shapes and proportions of the figure.
Begin with a light wash of diluted warm colors for the skin tones, focusing on the highlights.
Layer darker washes of browns and grays to define the shadows and contours of the face and body.
Paint the turban using a combination of light and dark washes, paying attention to the folds and creases.
Add the clothing, layering washes of blue-gray and brown, and defining the folds and wrinkles.
Mix a red-brown color and paint the sash and collar.
Create a dark, blended background using a mixture of browns and blacks.
Add final details and highlights to refine the portrait.
color palette
primary · raw umber · burnt sienna · ivory black
secondary · cadmium red light · ultramarine blue
Mix skin tones by blending burnt sienna, raw umber, and a touch of red. Create grays by mixing black and white, and adjust the temperature with small amounts of blue or brown.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and allow for multiple layers. Experiment with different brush sizes to achieve various effects.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke