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home·artworks·Portrait of Mrs. William J. Stillman
Portrait of Mrs. William J. Stillman by Dante Gabriel Rossetti

plate no. 4636

Portrait of Mrs. William J. Stillman

Dante Gabriel Rossetti, 1869

chalkRomanticismportraitportraitfigurewomanhairfaceclothing
some experience helpful

Recreating this portrait will help students develop skills in blending pastel colors to create soft transitions and capturing subtle facial features and expressions. It also provides practice in rendering hair with volume and detail.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of features.

  2. step 02

    Establish the basic skin tones using light browns, pinks, and creams.

  3. step 03

    Begin layering colors to build depth and dimension in the face, paying attention to highlights and shadows.

  4. step 04

    Work on the hair, using a variety of browns and grays to create texture and volume.

  5. step 05

    Define the features of the face, such as the eyes, nose, and mouth, with subtle details.

  6. step 06

    Add highlights to the hair and skin to create a sense of light and realism.

  7. step 07

    Refine the details of the clothing, keeping the focus on the face.

  8. step 08

    Blend and soften the edges to create a smooth, polished finish.

color palette

primary · ivory · raw umber · burnt sienna

secondary · rose madder · ultramarine blue · yellow ochre

Mix ivory with small amounts of raw umber and rose madder to create the base skin tone. Use ultramarine blue sparingly to create shadows and depth in the hair and clothing.

techniques

  • ·blending
  • ·layering
  • ·hatching
  • ·scumbling
  • ·softening edges

common pitfalls

  • →Overworking the pastel and creating a muddy effect.
  • →Failing to capture the subtle nuances of the facial expression.
  • →Using too much pressure when applying the pastel, resulting in a harsh, unnatural look.
  • →Neglecting the importance of blending and softening edges.

materials

surface · pastel paper

required

  • ·pastel pencils
  • ·soft pastels
  • ·pastel paper
  • ·kneaded eraser
  • ·blending stumps
  • ·fixative spray

optional

  • ·tortillons
  • ·chamois cloth
  • ·workable fixative

Choose a pastel paper with a slightly textured surface to help the pastel adhere. Use a workable fixative to prevent smudging and allow for additional layers.

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