
plate no. 9673
Mary Cassatt, 1890
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing the texture of fabric with visible brushstrokes. It also provides practice in creating form using subtle value changes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and the position of the hands.
Block in the background with a thin layer of light blue-gray paint.
Establish the main areas of light and shadow on the face and clothing using a limited palette of skin tones and whites.
Begin building up the color and texture of the skin, using small, broken brushstrokes to create a sense of form.
Paint the dress, paying attention to the direction of the brushstrokes to suggest the folds and contours of the fabric.
Add the dark bow at the neck and waist, using a mix of black and brown to create depth and shadow.
Refine the details of the face, including the eyes, nose, and mouth, using small brushes and subtle color variations.
Add final highlights and shadows to the entire painting to create a sense of depth and realism.
color palette
primary · titanium white · yellow ochre · cadmium red light · ivory black
secondary · ultramarine blue · burnt umber · alizarin crimson
Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and burnt umber to create a neutral gray for shadows and the background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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