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home·artworks·Portrait of Mrs William Harrison
Portrait of Mrs William Harrison by Mary Cassatt

plate no. 9673

Portrait of Mrs William Harrison

Mary Cassatt, 1890

oil, canvasImpressionismportraitportraitfigurewomandressbowclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing the texture of fabric with visible brushstrokes. It also provides practice in creating form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and the position of the hands.

  2. step 02

    Block in the background with a thin layer of light blue-gray paint.

  3. step 03

    Establish the main areas of light and shadow on the face and clothing using a limited palette of skin tones and whites.

  4. step 04

    Begin building up the color and texture of the skin, using small, broken brushstrokes to create a sense of form.

  5. step 05

    Paint the dress, paying attention to the direction of the brushstrokes to suggest the folds and contours of the fabric.

  6. step 06

    Add the dark bow at the neck and waist, using a mix of black and brown to create depth and shadow.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth, using small brushes and subtle color variations.

  8. step 08

    Add final highlights and shadows to the entire painting to create a sense of depth and realism.

color palette

primary · titanium white · yellow ochre · cadmium red light · ivory black

secondary · ultramarine blue · burnt umber · alizarin crimson

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and burnt umber to create a neutral gray for shadows and the background.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·portraiture
  • ·color temperature

common pitfalls

  • →Overblending the colors, resulting in a flat, lifeless appearance.
  • →Failing to accurately capture the proportions of the face and body.
  • →Using too much black, which can make the painting look muddy.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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