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home·artworks·Portrait of Mrs. W.J.S. van Alphen, Baroness van Reede van Oudtshoorn
Portrait of Mrs. W.J.S. van Alphen, Baroness van Reede van Oudtshoorn by Raden Saleh

plate no. 7717

Portrait of Mrs. W.J.S. van Alphen, Baroness van Reede van Oudtshoorn

Raden Saleh, 1854

oilRomanticismportraitportraitfiguredresslacehead covering
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in subtle value transitions and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Establish the background color with a thin wash of dark brown or green.

  3. step 03

    Block in the main areas of the dress with a dark, muted color, paying attention to the folds and shadows.

  4. step 04

    Begin to build up the skin tones, using thin layers of paint and blending carefully.

  5. step 05

    Add the details of the lace collar and cuffs, using a small brush and light, delicate strokes.

  6. step 06

    Paint the head covering, paying attention to the subtle variations in tone and texture.

  7. step 07

    Add the jewelry and other small details.

  8. step 08

    Refine the overall composition and adjust the values as needed.

color palette

primary · ivory black · titanium white · raw umber

secondary · yellow ochre · burnt sienna · cadmium yellow light

Mix ivory black and raw umber for the dress, adding small amounts of white for highlights. Use yellow ochre, white, and a touch of burnt sienna for skin tones. Mix cadmium yellow light with white for the gold jewelry.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to capture the subtle variations in tone and texture.
  • →Making the lace look too flat or artificial.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 0, 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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related guides

oil painting for beginners →how to learn by studying the masters →
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