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home·artworks·Portrait of Mrs Meade
Portrait of Mrs Meade by Walter Osborne

plate no. 9065

Portrait of Mrs Meade

Walter Osborne, 1899

oilImpressionismportraitportraitfiguredresscouchindoorwoman
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones, as well as understanding how to depict fabric and textures with subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and couch.

  2. step 02

    Establish the background with thin washes of neutral colors, paying attention to the subtle gradations.

  3. step 03

    Block in the large shapes of the figure, starting with the dress and then the skin tones.

  4. step 04

    Begin to refine the facial features, focusing on accurate placement and subtle value changes.

  5. step 05

    Develop the details of the dress, including the lace and the highlights.

  6. step 06

    Add the details of the couch, paying attention to the folds and shadows.

  7. step 07

    Refine the overall painting, adjusting values and adding small details to create a sense of realism.

  8. step 08

    Add final highlights and shadows to enhance the form and create depth.

color palette

primary · ivory black · burnt umber · cadmium red light · titanium white

secondary · yellow ochre · raw sienna · ultramarine blue

Mix skin tones using white, red, yellow ochre, and a touch of umber. Create the black dress by mixing ivory black with a touch of ultramarine blue for depth. The red couch is achieved by mixing cadmium red light with burnt umber and white for highlights.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle value changes in the face.
  • →Ignoring the importance of highlights and shadows in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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