
plate no. 0028
John William Waterhouse, 1912
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to create soft, diffused lighting effects.
technical profile
approach — 8 steps
Create a light sketch of the oval composition and the figure's pose, paying attention to proportions.
Block in the main areas of color: background, skin, dress, and hair.
Begin refining the skin tones, using subtle color variations to create form and volume.
Work on the details of the dress, including the fabric texture and the flower.
Develop the background with soft, blended brushstrokes.
Add highlights and shadows to create depth and dimension.
Refine the facial features, focusing on capturing the likeness of the subject.
Add final details and adjust values as needed.
color palette
primary · titanium white · alizarin crimson · raw umber · ivory black
secondary · yellow ochre · cadmium red light · ultramarine blue
Achieve skin tones by mixing white, crimson, yellow ochre, and a touch of umber. The background is a blend of crimson and umber, lightened with white in areas. The dress is primarily black with hints of blue and brown.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A smooth canvas surface will be easier to blend on.
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