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home·artworks·Portrait of Mme Augustine Massicot Tanneret
Portrait of Mme Augustine Massicot Tanneret by Jacques Amans

plate no. 2579

Portrait of Mme Augustine Massicot Tanneret

Jacques Amans, 1835

oil, canvasRomanticismportraitportraitfiguredresshairtablebackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering fabric textures. It also provides practice in creating a sense of depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, dress, and background.

  2. step 02

    Establish the main light and shadow areas with a thin wash of color.

  3. step 03

    Begin building up the skin tones, focusing on subtle value changes to create form.

  4. step 04

    Paint the dress, paying attention to the folds and highlights to convey the fabric's texture.

  5. step 05

    Add details to the hair, face, and dress, such as the curls, facial features, and lace.

  6. step 06

    Refine the background, creating a sense of depth and atmosphere.

  7. step 07

    Add the final highlights and details, such as the jewelry and the edges of the dress.

  8. step 08

    Glaze the painting to unify the colors and add depth.

color palette

primary · titanium white · ivory black · raw umber · cadmium red light

secondary · ultramarine blue · yellow ochre · viridian

Skin tones can be achieved by mixing white, red, yellow ochre, and a touch of umber. The dress is primarily white with subtle variations of gray and blue. The background is a mix of umber and black with hints of green.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Getting the proportions wrong, especially in the face.
  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle variations in value and color.
  • →Ignoring the importance of the background in creating depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grain canvas is recommended.

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