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home·artworks·Portrait Of Miss Lilian Macintosh
Portrait Of Miss Lilian Macintosh by George Frederick Watts

plate no. 7137

Portrait Of Miss Lilian Macintosh

George Frederick Watts

oil, canvasRomanticismportraitportraitfigurewomanscarfhairclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering soft, diffused lighting. It also provides practice in color mixing to achieve subtle skin tones and fabric textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and scarf.

  2. step 02

    Establish the background with thin washes of color, blending the sky and ground tones.

  3. step 03

    Block in the main areas of the face, hair, and clothing with broad strokes, focusing on the overall values.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle shifts in color and value.

  5. step 05

    Develop the texture of the hair and scarf with smaller, more deliberate brushstrokes.

  6. step 06

    Add highlights and shadows to create depth and dimension in the clothing and scarf.

  7. step 07

    Refine the background and edges to create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed to achieve a cohesive and harmonious composition.

color palette

primary · titanium white · yellow ochre · burnt sienna · alizarin crimson

secondary · ultramarine blue · raw umber

Mix skin tones by blending white, yellow ochre, burnt sienna, and a touch of alizarin crimson. Use ultramarine blue to cool down the skin tones in shadow areas. Create the scarf color by mixing yellow ochre and burnt sienna, adjusting the ratio for highlights and shadows.

techniques

  • ·portrait drawing
  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the subtle shifts in color and value.
  • →Creating harsh lines or edges that detract from the overall softness.
  • →Getting proportions wrong in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Pre-toned canvas can help establish mid-tones.

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