
plate no. 6226
Henry Raeburn, 1793
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering fabric folds. It also provides practice in creating atmospheric backgrounds and soft, blended brushwork.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and background.
Establish the main light and shadow areas using a thin wash of burnt umber.
Block in the background colors, focusing on the atmospheric perspective.
Begin layering the skin tones, paying attention to subtle color variations.
Develop the details of the dress, capturing the folds and highlights.
Refine the facial features, focusing on the eyes and mouth.
Add details to the hair, using loose brushstrokes to suggest texture.
Make final adjustments to the values and colors to create a cohesive composition.
color palette
primary · titanium white · burnt umber · raw sienna · ivory black
secondary · alizarin crimson · ultramarine blue · yellow ochre
Achieve skin tones by mixing titanium white, alizarin crimson, yellow ochre, and a touch of burnt umber. Create atmospheric grays by mixing ivory black, titanium white, and ultramarine blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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