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home·artworks·Portrait Of Milada Cerny
Portrait Of Milada Cerny by Alphonse Mucha

plate no. 1887

Portrait Of Milada Cerny

Alphonse Mucha, 1906

oilRomanticismportraitfigureportraitdresspianomusicindoor
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating subtle tonal variations within a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and piano.

  2. step 02

    Establish the background with a warm, muted tone, gradually building depth.

  3. step 03

    Block in the main shapes of the figure, paying attention to the folds and drapery of the dress.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle shading.

  5. step 05

    Develop the details of the dress, including the lace and ruffles, using delicate brushstrokes.

  6. step 06

    Paint the piano, capturing its form and texture with careful observation.

  7. step 07

    Add highlights and shadows to create depth and dimension throughout the painting.

  8. step 08

    Refine the details and make any necessary adjustments to the composition and color balance.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · cadmium red light · ivory black

Achieve the skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and white to create the various shades of brown in the background and piano. Add a touch of black to darken the shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Creating harsh lines and edges.
  • →Failing to capture the subtle tonal variations in the skin and fabric.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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