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home·artworks·Portrait of Mikołaj Zyblikiewicz
Portrait of Mikołaj Zyblikiewicz by Jan Matejko

plate no. 9893

Portrait of Mikołaj Zyblikiewicz

Jan Matejko

oilRomanticismportraitportraitfiguremanclothinghatbackground
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic textures of clothing and skin. It also provides practice in creating depth and dimension through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall composition, paying attention to the placement of the figure within the frame.

  3. step 03

    Block in the main color areas, starting with the background and then moving to the figure's clothing and skin.

  4. step 04

    Begin to refine the details of the face, focusing on capturing the likeness of the subject.

  5. step 05

    Add details to the clothing, including the folds, textures, and embellishments.

  6. step 06

    Work on the background, adding depth and interest with subtle variations in color and value.

  7. step 07

    Refine the highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Add final details and touches to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · viridian

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, with small amounts of cadmium red for warmth. Create the velvet texture by layering burnt umber and cadmium red, then glazing with a thin layer of ivory black.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering textures

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details before establishing the overall composition.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and dimension.
  • →Ignoring the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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