apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Mieczysław Gajewicz
Portrait of Mieczysław Gajewicz by Stanisław Ignacy Witkiewicz

plate no. 1293

Portrait of Mieczysław Gajewicz

Stanisław Ignacy Witkiewicz

pastelArt Nouveau (Modern)portraitportraitfiguremanfaceclothingmustache
some experience helpful

Recreating this portrait will help students develop skills in portraiture, color layering with pastels, and capturing likeness through expressive mark-making. It also provides practice in understanding and applying color temperature to create form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on proportions and placement of features.

  2. step 02

    Establish the basic skin tone using a light orange or peach pastel, applying it in broad strokes.

  3. step 03

    Add darker values to define shadows and contours, using browns, grays, and darker oranges.

  4. step 04

    Layer in highlights with lighter shades of orange, peach, and white, focusing on areas where light hits the face.

  5. step 05

    Define the eyes, nose, and mouth with careful attention to detail, using blues, reds, and blacks.

  6. step 06

    Add the background with loose, expressive strokes of blue and purple pastel.

  7. step 07

    Refine the details of the clothing, including the collar and tie.

  8. step 08

    Add final touches and adjustments to the overall composition, ensuring a cohesive and expressive portrait.

color palette

primary · orange · blue · black

secondary · white · red · brown

Mix orange with white for highlights, orange with brown and black for shadows. Use layers of blue and purple for the background to create depth.

techniques

  • ·Hatching and cross-hatching
  • ·Color layering
  • ·Blending with fingers or blending stumps
  • ·Creating texture with pastel strokes
  • ·Using complementary colors for contrast

common pitfalls

  • →Over-blending, which can flatten the image
  • →Incorrect proportions, leading to a distorted likeness
  • →Ignoring value contrast, resulting in a flat and lifeless portrait
  • →Using too much pressure, making the pastel difficult to blend

materials

surface · Pastel paper or sanded paper

required

  • ·Pastel set (various colors)
  • ·Pastel paper or sanded paper
  • ·Kneaded eraser
  • ·Blending stumps or tortillons
  • ·Fixative spray
  • ·Pencil for sketching
  • ·Ruler
  • ·Soft cloth

optional

  • ·Palette knife
  • ·Workable fixative
  • ·Easel

Choose a pastel paper with a slightly textured surface to grip the pastel. Sanded paper provides even more tooth for layering.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois