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home·artworks·Portrait of Michelangelo
Portrait of Michelangelo by Sebastiano del Piombo

plate no. 3841

Portrait of Michelangelo

Sebastiano del Piombo, 1520

oilMannerism (Late Renaissance)portraitportraitfigurebeardbookhandsclothing
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering realistic skin tones, as well as understanding value relationships to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, focusing on the proportions and placement of the figure, book, and hands.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Establish the background with a dark, neutral color.

  4. step 04

    Begin layering the skin tones, paying close attention to the subtle variations in color and value.

  5. step 05

    Develop the details of the beard and hair, using small brushstrokes to create texture.

  6. step 06

    Refine the clothing and fur collar, focusing on the folds and shadows.

  7. step 07

    Add details to the book and the sketch within, keeping it loose and suggestive.

  8. step 08

    Make final adjustments to the values and details to create a cohesive and realistic portrait.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · yellow ochre · cadmium red light

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use umber and black to create shadows and darker values. Mix black and white for neutral grays.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Failing to create sufficient contrast between light and shadow.
  • →Getting lost in details too early, before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ivory black, raw umber, burnt umber, titanium white, yellow ochre, cadmium red light)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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