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home·artworks·Portrait of May Gillian
Portrait of May Gillian by Frederick Sandys

plate no. 0254

Portrait of May Gillian

Frederick Sandys

oilRomanticismportraitportraitfigurehairlaceclothingchild
experienced study

Recreating this portrait will help students develop skills in rendering subtle skin tones and creating realistic hair textures using layering and blending techniques. It also provides practice in capturing likeness and detail.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the portrait, focusing on proportions and placement.

  2. step 02

    Block in the background with a thin, even layer of color.

  3. step 03

    Establish the basic skin tones, blending carefully to create smooth transitions.

  4. step 04

    Begin layering the hair, using light and dark values to define strands and volume.

  5. step 05

    Add details to the eyes, nose, and mouth, paying attention to subtle highlights and shadows.

  6. step 06

    Render the lace collar, focusing on the intricate patterns and delicate textures.

  7. step 07

    Refine the overall composition, adjusting values and adding final details.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the portrait.

color palette

primary · titanium white · yellow ochre · raw umber

secondary · ultramarine blue · alizarin crimson · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use blue and white for the eyes, and mix black with other colors to create shadows.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing
  • ·hatching

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the subtle variations in value, leading to a flat or lifeless portrait.
  • →Getting lost in the details of the lace, neglecting the overall composition.
  • →Inaccurate proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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oil painting for beginners →how to learn by studying the masters →
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