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home·artworks·Portrait of Maximilian Voloshin
Portrait of Maximilian Voloshin by Boris Kustodiev

plate no. 6395

Portrait of Maximilian Voloshin

Boris Kustodiev, 1924

oil, canvasArt Nouveau (Modern)portraitportraitmanbookmountainscloudsclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and atmospheric perspective in a landscape background.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: head, shoulders, background mountains and clouds.

  2. step 02

    Block in the main color areas: skin tones, hair, clothing, sky, and mountains.

  3. step 03

    Begin refining the skin tones, paying attention to subtle color variations and highlights.

  4. step 04

    Develop the details of the hair, using a variety of brushstrokes to create texture and volume.

  5. step 05

    Work on the clothing, focusing on the folds and shadows to create a sense of depth.

  6. step 06

    Refine the background, adding details to the mountains and clouds to create atmospheric perspective.

  7. step 07

    Add the details of the book and walking stick.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and depth.

color palette

primary · ultramarine blue · burnt umber · titanium white · cadmium red

secondary · yellow ochre · ivory black · viridian

Mix skin tones by blending white, red, yellow ochre, and a touch of burnt umber. Achieve the blue of the coat by mixing ultramarine blue with white and a touch of black. Use yellow ochre and burnt umber for the landscape.

techniques

  • ·portrait painting
  • ·blending
  • ·layering
  • ·atmospheric perspective
  • ·modeling form with light and shadow

common pitfalls

  • →Overblending skin tones, resulting in a flat appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle color variations in the shadows.
  • →Creating too much contrast in the background, which can flatten the image.
  • →Getting the proportions wrong in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·selection of brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·color wheel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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