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home·artworks·Portrait of Massimo d'Azeglio
Portrait of Massimo d'Azeglio by Francesco Hayez

plate no. 6945

Portrait of Massimo d'Azeglio

Francesco Hayez, 1860

oil, canvasRomanticismportraitportraitfigurechairclothingman
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness. It also provides practice in rendering fabrics and creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the overall value structure, focusing on the light and shadow patterns.

  3. step 03

    Block in the main colors of the background, chair, clothing, and skin tones.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add details to the clothing and chair, such as folds, textures, and patterns.

  6. step 06

    Blend and smooth the transitions between values and colors.

  7. step 07

    Add highlights and shadows to create a sense of form and volume.

  8. step 08

    Make final adjustments to the composition and details.

color palette

primary · ivory black · raw umber · titanium white · burnt sienna

secondary · yellow ochre · cadmium red light

Mix various shades of brown and gray by combining ivory black, raw umber, and titanium white. Use burnt sienna and yellow ochre to create warm skin tones. Add small amounts of cadmium red light to create highlights on the face and hands.

techniques

  • ·portrait sketching
  • ·value studies
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions
  • →muddy colors
  • →lack of contrast
  • →overworked details

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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