
plate no. 9724
Alphonse Mucha, 1905
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using a limited palette to create subtle variations in skin tone and form. It also provides practice in loose, expressive brushwork to suggest detail rather than rendering it precisely.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, neck, and shoulders.
Establish the background with broad, loose strokes of dark browns and blues.
Block in the main areas of skin tone using a mix of ochre, white, and a touch of red, paying attention to the light source.
Define the shadows on the face and neck with darker mixtures of brown and blue.
Add details to the hair using a small brush and varying shades of brown and black.
Paint the clothing with loose strokes of blue and gray, suggesting folds and form.
Refine the facial features, focusing on the eyes, nose, and mouth.
Add final highlights and details to complete the painting.
color palette
primary · raw umber · titanium white · yellow ochre
secondary · ultramarine blue · burnt sienna
Skin tones are achieved by mixing white, ochre, and a touch of red. Shadows are created by adding brown and blue to the skin tone mixture. Hair color is achieved by mixing raw umber and ultramarine blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the dark background.
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