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home·artworks·Portrait of Maria Salviati
Portrait of Maria Salviati by Jacopo Pontormo

plate no. 9396

Portrait of Maria Salviati

Jacopo Pontormo, 1540

oil, woodMannerism (Late Renaissance)portraitportraitfigurenunbookclothinghead covering
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and subtle gradations of light and shadow. It also provides practice in depicting drapery and creating a sense of depth through value.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, head covering, and book.

  2. step 02

    Establish the background with a dark, neutral color.

  3. step 03

    Block in the main areas of light and shadow on the face and clothing using thin washes.

  4. step 04

    Begin refining the skin tones, paying close attention to the subtle transitions between light and shadow.

  5. step 05

    Develop the details of the head covering, focusing on the folds and drapery.

  6. step 06

    Paint the book and the dark clothing, maintaining a sense of depth and form.

  7. step 07

    Add final highlights and details to the face and hands.

  8. step 08

    Glaze to unify the painting and adjust values as needed.

color palette

primary · titanium white · raw umber · ivory black

secondary · yellow ochre · burnt sienna

Achieve skin tones by mixing white, raw umber, and small amounts of yellow ochre and burnt sienna. Use thin washes of raw umber and ivory black for shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·blending

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to establish a strong sense of light and shadow.
  • →Getting the proportions of the face wrong.
  • →Making the background too light, which will flatten the image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·linseed oil
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the initial values.

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