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home·artworks·Portrait of Maria Pia
Portrait of Maria Pia by Antonio Donghi

plate no. 8660

Portrait of Maria Pia

Antonio Donghi, 1929

oilMagic Realismportraitportraitfigurewomandresshairface
suitable for beginners

Recreating this painting will help students practice smooth blending techniques and learn to capture subtle variations in skin tones. It also provides a good exercise in simplifying forms and focusing on essential details.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and dress.

  2. step 02

    Block in the background with a thin, even layer of neutral color.

  3. step 03

    Establish the main skin tones, focusing on the overall value and temperature.

  4. step 04

    Begin blending the skin tones, paying attention to subtle shifts in color and value.

  5. step 05

    Paint the hair, simplifying the forms and using a limited range of dark browns.

  6. step 06

    Add the dress, focusing on the subtle highlights and shadows to create a sense of volume.

  7. step 07

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · raw umber · ultramarine blue · cadmium red light

secondary · yellow ochre · burnt sienna

Mix skin tones by blending white, raw umber, and a touch of red. Use ultramarine blue and white for the dress, adding a touch of yellow ochre for warmth. The background is a mix of raw umber and white.

techniques

  • ·smooth blending
  • ·color mixing
  • ·value control
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to simplify the forms and getting bogged down in unnecessary details.
  • →Using too much paint and losing the subtle variations in color and value.
  • →Not paying close enough attention to the proportions of the face.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will help with blending.

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oil painting for beginners →how to learn by studying the masters →
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