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home·artworks·Portrait of Maria Leathart
Portrait of Maria Leathart by Dante Gabriel Rossetti

plate no. 9575

Portrait of Maria Leathart

Dante Gabriel Rossetti, 1862

oilRomanticismportraitportraitfigurewomanflowersbookclothing
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding the use of chiaroscuro to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on the proportions and placement of the figure and key elements.

  2. step 02

    Block in the main areas of color, starting with the background and then the larger areas of the figure's clothing and skin.

  3. step 03

    Begin refining the skin tones, using subtle color variations to create highlights and shadows.

  4. step 04

    Develop the details of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add details to the clothing, jewelry, and book, capturing the textures and patterns.

  6. step 06

    Paint the flowers and foliage, using a variety of greens and whites to create depth and interest.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a cohesive and harmonious image.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · cadmium red · yellow ochre · titanium white

secondary · viridian · ultramarine blue · burnt umber

Mix skin tones using white, yellow ochre, cadmium red, and a touch of burnt umber. Achieve dark greens by mixing viridian with ivory black and burnt umber. Use glazes of cadmium red to create the red accents.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·color mixing

common pitfalls

  • →getting skin tones muddy
  • →overworking details too early
  • →failing to capture the likeness
  • →inaccurate proportions

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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