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home·artworks·Portrait of mademoiselle Charlotte du Val d'Ognes
Portrait of mademoiselle Charlotte du Val d'Ognes by Marie Bracquemond

plate no. 2349

Portrait of mademoiselle Charlotte du Val d'Ognes

Marie Bracquemond

oilImpressionismportraitportraitfigurewindowbuildingdressartist
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering fabric and skin tones with subtle gradations. It also provides practice in creating depth and atmosphere through tonal values.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and window.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Block in the background with muted tones, paying attention to the atmospheric perspective.

  4. step 04

    Begin layering the skin tones, using thin washes and building up the values gradually.

  5. step 05

    Paint the dress, focusing on the folds and drapery, using a limited palette of whites and grays.

  6. step 06

    Add the details of the face, including the eyes, nose, and mouth, using small, precise brushstrokes.

  7. step 07

    Refine the details of the window and the figures in the background.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · ivory black · raw umber

secondary · cadmium red light · yellow ochre

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use black and umber to create grays for the shadows and background. Mix white with a touch of red for the pink sash.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much color and losing the subtle tonal variations.
  • →Incorrect proportions of the figure.
  • →Ignoring the atmospheric perspective in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. A medium-grain canvas is recommended.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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