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home·artworks·Portrait of Madam Candelaria
Portrait of Madam Candelaria by William Henry Huddle

plate no. 0515

Portrait of Madam Candelaria

William Henry Huddle, 1891

oilRomanticismportraitportraitfigureelderlyclothingfacehead
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones with subtle variations. It also provides practice in creating form with visible brushstrokes and limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Block in the background with a mid-tone gray, using loose, visible brushstrokes.

  3. step 03

    Establish the main shadow shapes on the face and clothing with darker values.

  4. step 04

    Begin layering in the mid-tones and highlights on the face, paying attention to the subtle color variations in the skin.

  5. step 05

    Refine the details of the eyes, nose, and mouth, focusing on capturing the likeness of the subject.

  6. step 06

    Add details to the clothing, such as the collar and folds, using lighter values.

  7. step 07

    Adjust the values and colors throughout the painting to create depth and dimension.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · cadmium red light · ivory black

Mix raw umber and white for the background and lighter skin tones. Use burnt sienna and cadmium red for warmer skin tones. Add ivory black to darken values and create shadows.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·value studies

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to accurately capture the proportions of the face.
  • →Using too much color and creating a painting that is too vibrant.
  • →Ignoring the subtle value changes in the skin and creating a flat, lifeless portrait.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·round brushes
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas for best results. Consider toning the canvas with a thin wash of raw umber before beginning.

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oil painting for beginners →how to learn by studying the masters →
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