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home·artworks·Portrait of Leon Bakst
Portrait of Leon Bakst by Leon Bakst

plate no. 8368

Portrait of Leon Bakst

Leon Bakst

oil, canvasArt Nouveau (Modern)portraitportraitfiguremanclothingscarfface
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating simplified forms with expressive brushstrokes. It also provides practice in capturing a likeness with minimal detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and facial features using a pencil or thin brush with diluted paint.

  2. step 02

    Block in the background with a mix of blues, browns, and grays, varying the tones slightly.

  3. step 03

    Apply a base layer of skin tone to the face, neck, and ears, using a mix of white, yellow ochre, and a touch of red.

  4. step 04

    Add shadows and highlights to the face to define the form, using darker and lighter variations of the skin tone mix.

  5. step 05

    Paint the scarf with a mix of blues and purples, adding highlights and shadows to create depth.

  6. step 06

    Block in the clothing with black, adding the peach colored details.

  7. step 07

    Refine the facial features, such as the eyes, nose, and mouth, with thin lines and subtle shading.

  8. step 08

    Add final details and adjust colors as needed to match the original painting.

color palette

primary · titanium white · yellow ochre · burnt sienna · ultramarine blue

secondary · ivory black · cadmium red light

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Vary the proportions to create highlights and shadows. The blue scarf is a mix of ultramarine blue and a touch of black.

techniques

  • ·color mixing
  • ·blocking in
  • ·dry brush texture
  • ·simplified forms
  • ·expressive brushstrokes

common pitfalls

  • →Overworking the details and losing the simplified, expressive style.
  • →Using colors straight from the tube without mixing.
  • →Getting the proportions of the face wrong.
  • →Making the skin tones too uniform and flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·ivory black oil paint
  • ·round brushes size 2-6
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-grain canvas for best results. Oil paints can be thinned with linseed oil or odorless mineral spirits.

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oil painting for beginners →how to learn by studying the masters →
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