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home·artworks·Portrait of Laudomia de' Medici
Portrait of Laudomia de' Medici by Agnolo Bronzino

plate no. 6259

Portrait of Laudomia de' Medici

Agnolo Bronzino, 1555

oil, canvasMannerism (Late Renaissance)portraitportraitfiguredressjewelrycolumnrenaissance
experienced study

Recreating this painting will allow students to practice portraiture, including accurate proportions and skin tones, as well as rendering intricate details like jewelry and fabric folds. It also provides experience in creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure's pose and proportions.

  2. step 02

    Establish the background with a thin wash of color.

  3. step 03

    Block in the main shapes of the dress and skin tones.

  4. step 04

    Refine the facial features, paying close attention to light and shadow.

  5. step 05

    Add details to the dress, including folds, embellishments, and jewelry.

  6. step 06

    Carefully render the hands and any objects they are holding.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and harmony.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · raw umber · gold · pearl white

Achieve skin tones by mixing white, red, and yellow ochre, adjusting the proportions for highlights and shadows. Mix ivory black with small amounts of other colors to create the dark tones of the dress.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overly harsh or muddy skin tones.
  • →Losing the sense of depth by not paying attention to value changes.
  • →Getting lost in the details before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·assorted round and flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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