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home·artworks·Portrait of lady wearing white cap
Portrait of lady wearing white cap by Polychronis Lembesis

plate no. 2215

Portrait of lady wearing white cap

Polychronis Lembesis, 1879

oilRomanticismportraitportraitfigureheadwearclothingfacejewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating depth and form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and headwear.

  2. step 02

    Block in the main areas of color: skin, clothing, background, and headwear.

  3. step 03

    Begin refining the skin tones, paying attention to the subtle shifts in value and color.

  4. step 04

    Add details to the face, such as the eyes, nose, and mouth, focusing on capturing the likeness.

  5. step 05

    Develop the details of the headwear, including the lace and folds.

  6. step 06

    Refine the clothing and background, adding texture and depth.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and realistic representation.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · burnt sienna · cadmium red light

Mix skin tones by blending yellow ochre, titanium white, and a touch of burnt sienna. Use ivory black and raw umber for dark areas, lightening with white as needed. Add small amounts of cadmium red light to warm the skin tones.

techniques

  • ·portrait painting
  • ·value studies
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to capture the correct proportions of the face.
  • →Ignoring the subtle value changes in the skin tones.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·cadmium red light oil paint

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of raw umber before beginning.

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oil painting for beginners →how to learn by studying the masters →
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