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home·artworks·Portrait of Kriesch Laura
Portrait of Kriesch Laura by Aladar Korosfoi-Kriesch

plate no. 9255

Portrait of Kriesch Laura

Aladar Korosfoi-Kriesch, 1894

oilArt Nouveau (Modern)portraitportraitfigurewomanbackgroundclothinghair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and subtle color variations in skin tones. It also provides practice in creating a textured background.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and background pattern.

  2. step 02

    Establish the overall value structure with thin washes of burnt umber and raw sienna.

  3. step 03

    Block in the main areas of color, starting with the background and then the clothing.

  4. step 04

    Begin layering in the skin tones, paying close attention to subtle shifts in color and value.

  5. step 05

    Refine the facial features, focusing on the eyes, nose, and mouth.

  6. step 06

    Add details to the hair and clothing, using small brushstrokes to create texture.

  7. step 07

    Adjust the background pattern to create depth and visual interest.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red light

secondary · yellow ochre · ivory black · ultramarine blue

Mix skin tones by blending white, red, sienna, and a touch of blue or yellow. Use umber and black to create the dark tones in the clothing and background.

techniques

  • ·portraiture
  • ·layering
  • ·blending
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the background pattern too distracting.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·#2 round brush
  • ·#4 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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