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home·artworks·Portrait of K. I. Seidel
Portrait of K. I. Seidel by Alexander Orlowski

plate no. 1801

Portrait of K. I. Seidel

Alexander Orlowski, 1820

oilRomanticismportraitportraitmanpipehatclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of light and shadow to create form. It also offers practice in capturing textures, such as the fabric of the hat and clothing.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hat.

  2. step 02

    Establish the main light source and map out the areas of light and shadow on the face and clothing.

  3. step 03

    Begin blocking in the background with a warm, muted tone.

  4. step 04

    Start with the face, mixing skin tones using a limited palette and gradually building up layers of color and value.

  5. step 05

    Move on to the clothing and hat, paying attention to the folds and textures.

  6. step 06

    Add details such as the eyes, mouth, and pipe, refining the shapes and values.

  7. step 07

    Soften edges and blend transitions where necessary to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the form and create a focal point.

color palette

primary · burnt umber · yellow ochre · titanium white · raw sienna

secondary · ivory black · cadmium red light

Mix skin tones by blending yellow ochre, burnt umber, and titanium white. Add a touch of cadmium red light for warmth. Use ivory black sparingly to darken shadows.

techniques

  • ·portrait sketching
  • ·value studies
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Using too much black, which can make the painting look muddy.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth surface for easier blending. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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