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home·artworks·Portrait of Juana of Austria with a Young Girl
Portrait of Juana of Austria with a Young Girl by Sofonisba Anguissola

plate no. 6714

Portrait of Juana of Austria with a Young Girl

Sofonisba Anguissola, 1561

oilMannerism (Late Renaissance)portraitportraitfigureclothingwindowskyjewelry
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and capturing the likeness of the subjects. Students will also learn to create depth and dimension through careful observation of light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values, focusing on the overall light and shadow patterns.

  3. step 03

    Begin refining the skin tones, paying close attention to subtle color variations.

  4. step 04

    Develop the details of the clothing, including the intricate patterns and textures.

  5. step 05

    Paint the background, creating a sense of depth and atmosphere.

  6. step 06

    Add the jewelry and other accessories, paying attention to their reflective qualities.

  7. step 07

    Refine the details and make any necessary adjustments to the composition.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · ivory black · titanium white · raw umber

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red light. Darken shadows with raw umber and ivory black. Use ultramarine blue to create the cool tones in the sky.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·rendering fabric
  • ·blending

common pitfalls

  • →Failing to establish accurate proportions in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Neglecting the subtle color variations in the clothing.
  • →Creating a flat, lifeless background.
  • →Ignoring the reflective qualities of the jewelry.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Ivory black oil paint
  • ·Titanium white oil paint
  • ·Raw umber oil paint
  • ·Yellow ochre oil paint
  • ·Cadmium red light oil paint
  • ·Ultramarine blue oil paint
  • ·Assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve its flow.

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