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home·artworks·Portrait of John W. Casilear
Portrait of John W. Casilear by Asher Brown Durand

plate no. 6478

Portrait of John W. Casilear

Asher Brown Durand

oilRomanticismportraitportraitfiguremanclothingformal wearhistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering subtle value changes in skin tones. It also provides practice in painting dark fabrics and achieving a sense of depth through tonal variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and clothing.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the main areas of light and shadow on the face and clothing.

  3. step 03

    Begin refining the skin tones, using a limited palette and blending carefully to create smooth transitions.

  4. step 04

    Pay close attention to the subtle variations in value and color on the face to capture the likeness of the subject.

  5. step 05

    Work on the details of the clothing, focusing on the folds and textures of the fabric.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and dimension.

  7. step 07

    Add the final details, such as the hair and the subtle highlights on the clothing.

  8. step 08

    Make any necessary adjustments to the overall composition and value structure.

color palette

primary · ivory black · titanium white · raw umber

secondary · yellow ochre · burnt sienna

Achieve skin tones by mixing white, raw umber, and a touch of yellow ochre and burnt sienna. Dark clothing is primarily black with subtle variations achieved by adding small amounts of raw umber or burnt sienna.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones and creating a muddy appearance.
  • →Failing to capture the subtle variations in value and color on the face.
  • →Making the dark clothing too flat and lifeless.
  • →Incorrect proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending and layering.

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