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home·artworks·Portrait of Jeremiah Evarts
Portrait of Jeremiah Evarts by Samuel Morse

plate no. 0028

Portrait of Jeremiah Evarts

Samuel Morse, 1817

oil, canvasRomanticismportraitportraitmanclothingfacehairbackground
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including capturing likeness, rendering skin tones, and creating depth through subtle value changes. It also provides practice in achieving a smooth, blended finish.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and clothing on the canvas.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the general tones of the face and clothing.

  3. step 03

    Begin refining the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  4. step 04

    Develop the skin tones by layering and blending different shades of pink, brown, and yellow.

  5. step 05

    Add highlights and shadows to create depth and dimension in the face and clothing.

  6. step 06

    Refine the details of the hair, eyes, and clothing, using smaller brushes.

  7. step 07

    Adjust the overall values and colors to achieve a harmonious and realistic effect.

  8. step 08

    Add final details and highlights.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium red light · yellow ochre

Mix skin tones using white, yellow ochre, burnt umber, and a touch of cadmium red. Achieve the dark background by mixing ivory black and burnt umber.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure early on.
  • →Getting lost in details before establishing the overall form.
  • →Incorrect proportions of the face.
  • →Overworking the painting

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve blending and drying time.

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oil painting for beginners →how to learn by studying the masters →
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