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home·artworks·Portrait of Jean-Baptiste Belley, Deputy for Saint-Domingue
Portrait of Jean-Baptiste Belley, Deputy for Saint-Domingue by Anne-Louis Girodet

plate no. 4105

Portrait of Jean-Baptiste Belley, Deputy for Saint-Domingue

Anne-Louis Girodet, 1798

oil, canvasRomanticismportraitfigureportraitstatuelandscapeclothingsky
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding and applying chiaroscuro to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to proportions and placement of the figure and statue.

  2. step 02

    Establish the background with thin washes of color, focusing on the sky and distant landscape.

  3. step 03

    Block in the main shapes of the figure and statue with mid-tones.

  4. step 04

    Begin building up the darks and lights in the figure's face and clothing, focusing on the planes of the face.

  5. step 05

    Refine the details of the statue, paying attention to the subtle variations in tone and texture.

  6. step 06

    Add highlights to the figure's clothing and skin to create a sense of volume.

  7. step 07

    Develop the details of the sash and other accessories.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · ultramarine blue

Mix various shades of brown and gray by combining the primary colors. Use white to lighten the tones and a touch of blue to cool them down. Use red and yellow to create the flesh tones.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and volume.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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