
plate no. 4805
Henry Raeburn, 1790
This painting offers a good opportunity to practice portraiture techniques, focusing on skin tones and fabric folds. Students can also learn about creating soft backgrounds and capturing a likeness.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and background.
Establish the main light and shadow areas with a thin wash of color.
Begin building up the skin tones, using subtle color variations.
Define the features of the face, paying attention to the eyes and mouth.
Paint the dress, focusing on the folds and highlights.
Add details such as the jewelry and hair.
Refine the background, creating a sense of depth.
Add final highlights and shadows to create a sense of realism.
color palette
primary · titanium white · yellow ochre · burnt umber · alizarin crimson
secondary · ultramarine blue · raw sienna
Mix skin tones using white, yellow ochre, burnt umber, and a touch of alizarin crimson. Achieve the dress color by mixing white with small amounts of yellow ochre and burnt umber. The background is a mix of burnt umber, raw sienna, and ultramarine blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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